I don’t want a great big house, I’ve got enough of those. And I said, I’ll tell you what, if you find that little, teeny Spanish house.
#John cougar pink houses movie
He remembers discussing it with Goff, who was the one to locate the charming property in the first place: “I said, look, there’s a movie called One-Eyed Jacks and, in the movie, Karl Malden lives in this little adobe right on the ocean. you don’t even see that it’s there.”įittingly, it was a 1961 western starring Marlon Brando that inspired Mellencamp’s Montecito home purchase. “I spend a lot of time watching old films. (For example, a modern impressionistic painting by Donna Schuster can be seen above the mantle.) But the defining characteristic of the interior is a projector and screen setup. Some of the musician’s works can be seen on the walls, interspersed with softer pieces of art. Dark details, like hanging steel lights, punctuate the space. Mellencamp is particularly fond of his Montecito living room, which is decorated with brown leather chairs and tattered rugs. “Stuff you don’t see everywhere, Trevor knows what I like.” “They have really odd, old, one-of-a-kind pieces of furniture,” Mellencamp explains. Some of the pieces were sourced from Mellencamp’s three warehouses of furniture in Bloomington, Indiana, while others were purchased from purveyors such as L.A.’s Big Daddy’s Antiques. Here, Goff recreated his signature lived-in interiors: masculine, shabby furnishings with scatterings of industrialized references (for example, the Ridley motorcycle in the living room). I’m very lucky, I’ve lived an artist’s life.”)Īs with his other homes (which include residences in Indiana and New York), Mellencamp collaborated with his friend of 45 years, Trevor Goff. “I’m a singer-songwriter, that’s my real job, but I paint every day. A storage room was reimagined as an art studio for Mellencamp, whose paintings explore Americana through a lens influenced by the German expressionists of the 1900s. Mellencamp recruited his roadies to redo the three-bedroom house in three weeks, repainting the interiors in fresh white (including the brick and the wood beams). it takes a certain kind of colorful person to want to be up there. “You get this thing, particularly at night when the winds blow. Situated on six acres, the retreat is a remote one. Put more specifically, the former ranch is positioned on one of the peaks of Santa Barbara’s Toro Canyon, a perch which yields bracing views all the way out to the Pacific Ocean. “It does have a very romantic feel to it. “Quite honestly, I see it as a place for me to go with an invited guest,” he explains, from his suite at the Hotel Bel-Air in Los Angeles. Mellencamp, (born October 7, 1951, in Seymour, Indiana) is a Grammy-winning American rock singer-songwriter, musician, artist and occasional actor. The song only uses a few basic chords, and has a pretty main. John Cougar Mellencamp, is the third stage name of John Mellencamp, who had previously been known as Johnny Cougar and then John Cougar. It is recommended for to intermediate guitar players. 8 on Billboard charts, and remains a rock radio staple to this day. With Uh-Huh, Mellencamp found the perfect balance between his social concerns and the rock n’ roll of his youth.On his 1983 album, Uh-Huh, John Mellencamp sang, “Little pink houses for you and me, oh yeah, for you and me.” But, in 2022, the iconic musician is humming about a little white house in Montecito, California. Pink Houses John Mellencamp Transcribed by:CPDmusic E-mail: The song Pink Houses by John Cougar Mellencamp was written in 1983, reached No. With the genuine simplicity of an ageless folk song, Mellencamp laid out the modest goals and sad, awful truth of the working class without pity and with a dose of celebration. But it was the Springsteen-like acoustic number, “Pink Houses,” that solidified Mellencamp’s image as a voice for Middle America.
“Play Guitar” and “Crumblin’ Down” worked similarly, capitalizing on Mellencamp’s tough exterior and unfancy rock arrangements. “The Authority Song” took its message from the Bobby Fuller Four’s “I Fought the Law” and its guitar sound from the Rolling Stones, marrying the two to an irresistible rhythm. He added back his real last name and recorded an album that spoke simply and directly from his heart and mind. With 1983’s Uh-Huh, Cougar began reclaiming and defining his identity as more than just a sassy, snarky rock n’ roll singer. 1982’s American Fool catapulted Indiana’s John Cougar into the pop mainstream after years of dubious material and artistic struggle.
0 kommentar(er)
